Publications

Mazzola, G. Objective C via Category Theory. Draft Document. [pdf]

Mazzola, G. Computergestützte Musikforschung. [pdf]

Mazzola, G. and Zahorka, O. (1997). RUBATO - Deep Blue in der Musik? Animato 97/3: 9-10, Zürich. [pdf]

Mazzola, G. and Zahorka, O. (1996). Topologien gestalteter Motive in Kompositionen. Festschrift zum 65. Geburtstag J. P. Fricke, Ed. W. Auerhagen et al., Köln. [pdf]

Mazzola, G. and Zahorka, O. (1996). RUBATO und der Einsatz von Hypermedien in der Musikforschung. Zeitschrift des Deutschen Bibliotheksinstituts 1. [pdf]

Mazzola, G. (1995). Music@EncycloSpace - Virtuelle Navigationsräume. Proceedings of klangart'97. Ed. B. Enders, Univ. Osnabrück. [pdf]

Zahorka, O. (1995). PrediBase - Controlling Semantics of Symbolic Structures in Music. Proceedings of the ICMC'95, San Francisco: International Computer Music Association. [pdf]

Mazzola, H. (1995). Towards Big Science: Geometric Logic of Music and its Technology. Symposionsband zur klangart'95, Ed. B. Enders, Schott, Mainz. [pdf]

Zahorka, O. (1995). From Sign to Sound - Analysis and Performance of Musical Scores. Symposionsband zur klangart'95. Ed. B. Enders, Schott, Mainz. [pdf]

Mazzola, G. (1995). Semiotic Aspects of Musicology: Semiosis of Music. A Handbook on the Sign-Theoretic Foundations of Nature and Culture. Eds. R. Posner et al., Walter de Gruyter, Berlin - New York. [pdf]

Mazzola, G. (1995). Inverse Performance Theory. Proceedings of the ICMC'95, San Francisco: International Computer Music Association. [pdf]

Mazzola, G. and Zahorka, O. (1994). The RUBATO Performance Workstation on NEXTSTEP. Proceedings of the ICMC'94, San Francisco: International Computer Music Association. [pdf]

Mazzola, G. and Zahorka, O. (1994). The RUBATO Workstation for Musical Analysis and Performance Proceedings of the 3rd ICMPC, ESCOM, Liege. [pdf]

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